DramaFilmHorrorReviewsThriller

Dard Divorce (2007, Germany)

Dard Divorce (2007)

Olaf Ittenbach is a German auteur who is a combination of Tom Savini and Takashi Miike. Originally a dental technician, Ittenbach then became a top notch SFX artist, his most notable credit being for BloodRayne by Uwe Boll.

Along with Boll, he is part of the German new wave bringing media attention to their underground films specializing in rape, necrophilia and extreme violence. Ittenbach’s films focus on pain, body destruction and gore, preferably as much that can be jammed into a two hour film.

“Breaking up is so very hard to do…”

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FilmHorrorReviews

The Blair Witch Project (1999, USA)

The Blair Witch Project (1999)

The Blair Witch Project is ‘The Cardiff Giant’ of modern horror films. The film employed the now common trope of “found footage” to give an authentic and haunting atmosphere to the story. The movie was also one of the first to use the internet to reinforce the found footage concept, going so far as to hire actors to pose as policemen for interviews and post pictures of artifacts found at the crime scene.

“In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary… A year later their footage was found.”

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AdventureExploitationFilmReviewsWestern

Ulzana’s Raid (1972, USA)

Ulzana's Raid (1972)

The Western is the most American film genre of them all, encompassing a variety of themes and time periods. The 1970s were a fertile period for films that questioned traditional beliefs about our country’s march towards the Pacific, the interests of big business versus individual rights, its treatment of the indigenous peoples and notions of heroism.

Ulzana’s Raid can be viewed as a horror movie that takes place in the West or a Western with all the trappings of a horror film.

“One man alone understood the savagery of the early American west from both sides.”

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FilmHorrorReviewsThriller

Split (2016, USA)

Split (2016)

Split is a grindhouse film in disguise, particularly repulsive for the cavalier way it blames women for the degeneracy of McAvoy’s character.

What makes Split so frustrating is that it could have been Shyalaman’s best film. Visually the film is perfect and the sound strikes the right balance between serene and scary, much like a Hitchcock film. The tension is palpable in the psychiatrist’s scenes, and the gripping terror of the girls is captured perfectly as their predicament grows worse.

“An individual with multiple personalities can change their body chemistry with their thoughts.”

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ComedyFilmHorrorReviews

The Return of the Living Dead (1985, USA)

The Return of the Living Dead (1985)

The attempt to combine humor and horror is a dicey proposition at best, which makes this film all the more extraordinary. The Return of the Living Dead weaves the two genre together seamlessly, each one complimenting the other. The screenplay and cast are perfect, with the always reliable Clu Gallagher holding the action together. A group of attractive young people plays their roles with a combination of believable finesse, terror and hormonal fever interspersed with slapstick style hysteria. Any movie with Linnea Quigley as part of the cast certainly is headed in the right direction.

“They’re back from the grave and ready to party!”

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ActionDramaEroticaExploitationFilmReviews

Truck Stop Women (1974, USA)

Truck Stop Women (1974)

This film was typical of the drive-in features Claudia Jennings appeared in the early 1970’s, with one notable exception. Although Truck Stop Women demonstrated what audiences would identify as the quintessential Claudia Jennings character, this was no working class, feminist hero Karen Walker from Unholy Rollers… In this film, Claudia commits about every original sin and violates a few new ones. She could easily be considered one of the screen’s best villains- a living nightmare, having no feelings for fellow human beings, and perhaps the sexiest sociopath of all time.

“No rig was too big for them to handle!”

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ComedyFantasyFilmHorrorReviews

What We Do in the Shadows (2014, New Zealand / USA)

What We Do in the Shadows (2014)

There have been hundreds of vampire films made worldwide and dozens of vampire comedies produced as well. However, none of them comes close to combining horror and humor effectively as What We Do in the Shadows.

What We Do in the Shadows has been highly praised by the mainstream press, and rightly so. Although not a cinematic masterpiece, this New Zealand gem has everything a fan could ask for- blood, guts, vampires, werewolves, zombies, and more laughs than any so-called comedy of the last decade.

“Some interviews with some Vampires.”

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BooksDramaEroticaExploitationFilmSci-FiThe Tomb

Claudia Jennings: The Cult Icon Who Fell to Earth

Claudia Jennings

For Claudia, The Man Who Fell to Earth was a dream come true. She was working with a veteran, respected director on a major film. This is what she had been waiting for… While her role was unbilled and her screen time was very limited, her impact on the movie was much greater than her brief appearance would indicate.

“The tragedy of her death was quite shattering, but in a strange way perfection for the scene [in 1976’s The Man Who Fell to Earth] upon reflection.”

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ActionDramaFilmHorrorReviewsThriller

I Saw the Devil (2010, South Korea)

I Saw the Devil (2010)

The South Korean film industry has enjoyed a twenty year renaissance especially in the thriller/horror/gore genres. The release of Oldboy (2003) put South Korean cinema back on the map, after seeing its once glorious traditions wane for many years. I Saw the Devil is the penultimate representative of this new style of Korean cinema, with acting, cinematography, direction and production values equal to any of the world’s leading movie centers.

“Don’t act so weak… this is just the beginning. Remember… your nightmare’s only getting worse!”

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ComedyFilmHorrorReviewsSci-Fi

Re-Animator (1985, USA)

Re-Animator (1985)

The first time I watched Re-Animator was on HBO, late one evening. I had never heard of the film; however 95 minutes later it became one of my favorite movies of all time. Adapted from the H.P. Lovecraft novella “Herbert West, Re-Animator”, this splattery opera is well worth multiple viewings.

Re-Animator is one of the best horror films of the 1980s and of any era. It has an uncommon mix of horror, suspense, humor, sex and splatter to entertain the most jaded of cult and horror fans.

“Herbert West has a very good head on his shoulders…and another one in a dish on his desk.”

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