FilmHorrorReviews

It Comes at Night (2017, USA)

It Comes at Night (2017)

Deceptively titled and oddly mis-marketed as a horror movie, Trey Edward Shults’s second feature It Comes at Night, might much more appropriately be viewed as a ‘post-apocalyptic psychological family drama’.

I’m often loath to place a movie under a genre classification, because certain movies might straddle several genres and don’t easily fit into pigeonholes.

However, if you go to see It Comes at Night expecting a conventional horror film, you will be disappointed… or perhaps you’ll be surprised.

“You can’t trust anyone but family.”

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The Return of the Living Dead (1985, USA)

The Return of the Living Dead (1985)

The attempt to combine humor and horror is a dicey proposition at best, which makes this film all the more extraordinary. The Return of the Living Dead weaves the two genre together seamlessly, each one complimenting the other. The screenplay and cast are perfect, with the always reliable Clu Gallagher holding the action together. A group of attractive young people plays their roles with a combination of believable finesse, terror and hormonal fever interspersed with slapstick style hysteria. Any movie with Linnea Quigley as part of the cast certainly is headed in the right direction.

“They’re back from the grave and ready to party!”

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The Autopsy of Jane Doe (2016, UK / USA)

The Autopsy of Jane Doe (2016)

The concept of the ‘beautiful female corpse’ is by no means a new idea in the realm of gothic horror. In fact, it has been a stalwart of the genre since it began. Edgar Allan Poe was particularly partial to it and Bram Stoker took it to its natural conclusion when he hit upon the novel idea of having alluring dead ladies start walking about and seducing people.

Norwegian director André Øvredal follows up his found-footage indie sleeper Troll Hunter, with English-language debut The Autopsy of Jane Doe – a gory excursion through a dead woman’s innards.

“Every body has a secret.”

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DAWN OF THE DEAD, HATCHET and HOUSE OF 1000 CORPSES Merchandise from Fright-Rags

Dawn of the Dead, Hatchet and House of 1000 Corpses Merch from Fright-Rags

Fright-Rags have released new merchandise relating to George A. Romero’s Dawn of the Dead, Adam Green’s Hatchet and Rob Zombie’s House of 1000 Corpses. So, when there’s no more room in your closet, the dead will truly walk the earth! There’s no turning back…

“When there’s no more room in hell, the dead will walk the earth.”

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Almost Human (1974, Italy) Shameless Blu-ray Review

Almost Human (1974) Shameless Blu-ray

Before Umberto Lenzi’s 1981 exploitation film Cannibal Ferox (aka Make Them Die Slowly) was “banned in 31 countries”, Almost Human had a reputation as a particularly nasty Italian crime thriller.

The late, great Tomas Milian (The Designated Victim) stars as the sadistic, criminal low life Giulio Sacchi, a man capable of rape, torture and murder.

“CAUTION: This picture may shock you, but it’s an experience in psychosadism you’ll never forget!”

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Truck Stop Women (1974, USA)

Truck Stop Women (1974)

This film was typical of the drive-in features Claudia Jennings appeared in the early 1970’s, with one notable exception. Although Truck Stop Women demonstrated what audiences would identify as the quintessential Claudia Jennings character, this was no working class, feminist hero Karen Walker from Unholy Rollers… In this film, Claudia commits about every original sin and violates a few new ones. She could easily be considered one of the screen’s best villains- a living nightmare, having no feelings for fellow human beings, and perhaps the sexiest sociopath of all time.

“No rig was too big for them to handle!”

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What We Do in the Shadows (2014, New Zealand / USA)

What We Do in the Shadows (2014)

There have been hundreds of vampire films made worldwide and dozens of vampire comedies produced as well. However, none of them comes close to combining horror and humor effectively as What We Do in the Shadows.

What We Do in the Shadows has been highly praised by the mainstream press, and rightly so. Although not a cinematic masterpiece, this New Zealand gem has everything a fan could ask for- blood, guts, vampires, werewolves, zombies, and more laughs than any so-called comedy of the last decade.

“Some interviews with some Vampires.”

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Lords of the Cosmos #1

Lords of the Cosmos #1

UGLI Studios out of State College, Pennsylvania has broken into the world of science fiction with the debut issue of Lords of the Cosmos.

Created by Jason Lenox, Jason Palmatier and Dennis Fallon, this first issue in what will be an ongoing series is a remarkable homage to the comics and cartoons of the 1980s. It vividly depicts that age of conflict between noble heroes and loathsome villains, aided and abetted by their truly repulsive henchmen.

“CY-CORN. The last unicorn. Now more machine than beast. The great betrayer of his fellow magical creatures…”

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Claudia Jennings: The Cult Icon Who Fell to Earth

Claudia Jennings: The Cult Icon Who Fell to Earth

For Claudia, The Man Who Fell to Earth was a dream come true. She was working with a veteran, respected director on a major film. This is what she had been waiting for… While her role was unbilled and her screen time was very limited, her impact on the movie was much greater than her brief appearance would indicate.

“The tragedy of her death was quite shattering, but in a strange way perfection for the scene [in 1976’s The Man Who Fell to Earth] upon reflection.”

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Xenomorphs Live! ALIEN: COVENANT + THEY LIVE Apparel Now Available from Fright-Rags

Alien: Covenant + They Live Fright-Rags Apparel

Fright-Rags have teamed up with the Colonial Marines at 20th Century Fox to release a collection of apparel for Ridley Scott’s Alien: Covenant; now in theaters nationwide.

They have also come here to chew bubblegum and kick ass with the release ofThey Live t-shirts… and they are all out of bubblegum.

“I have come here to chew bubblegum and kick ass… and I’m all out of bubblegum.”

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I Saw the Devil (2010, South Korea)

I Saw the Devil (2010)

The South Korean film industry has enjoyed a twenty year renaissance especially in the thriller/horror/gore genres. The release of Oldboy (2003) put South Korean cinema back on the map, after seeing its once glorious traditions wane for many years. I Saw the Devil is the penultimate representative of this new style of Korean cinema, with acting, cinematography, direction and production values equal to any of the world’s leading movie centers.

“Don’t act so weak… this is just the beginning. Remember… your nightmare’s only getting worse!”

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